This permanent exhibition presents thousand years
of the life of Chersonesos and its environs. It is located in the former house church of Chersonesan monastery and in abbot's rooms.
The first exposition of the Mediaeval Department was opened in this house in 1925;
later on, new exhibitions were created in 1935, 1955, and 1981.
The modern exposition of the Mediaeval History
Department was prepared by L. G. Kolesnikova and opened in 1981. Its
design is developed by G. M. Manto and T. B. Manto. The finds
exhibited have been restored in restoration workshops of the Chersonesos
preserve by F. B. Braslavskaya, L. A. Divavina, R. S. Degtyaryova, O. A.
Dem'yanova, Yu. S. Ryzhova, and Yu. Ye. Khrapov.
Being one of the most
archaeologically investigated Byzantine cities, mediaeval Cherson is of great
interest for both Byzantologists and all history lovers.
The display of the
Byzantine period informs about the materials of the excavations and supplies
knowledge of historical development and culture of mediaeval Cherson. It
consists of 15 sections including about 3,000 exhibits, and is permanently
enriched with most interesting finds from new excavations of the ancient city.
Its sections are rearranged in course of appearance of new materials describing
various aspects of urban life.
The exposition opens with
the section discussing political situation in the Crimea
in the Great Migration period. The materials presented in the section
characterize Cherson as the main outpost of the Byzantine empire in the north Black Sea area and supply evidence of the great attention
to its protection paid by the central government. The most impressive exhibit
is monumental inscription honouring the emperor Zeno and telling of the repair
of defensive walls of the city. There also are seals of local self-government
officials and Byzantine magistracies.
Very interesting is the
section explaining the history of Christianity in Cherson. Among its exhibits,
there is a collection of Christian sculpture, underwear and reliquary crosses,
stamps for bread. The most attention is attracted by the collection of steatite
and bronze icons from the tenth to twelfth centuries. Further, there are
reconstructions of Cherson churches of various types, and details of their
architecture (capitals, columns, details of chancel screens, etc.). The section
finishes with a collection of decorative slabs with images of flowering crosses
and monsters, that decorated facades of Cherson churches in the twelfth and
thirteenth century. Here we can see brilliant masterpiece of Byzantine drawing:
a fragment of fresco depicting Mother of God's face.
Large-scale excavations of
top layers of the site of ancient Chersonesos allowed the researchers to imagine
the appearance of the twelfth and thirteenth century residential quarters:
ground plans and graphic reconstructions of some of them are represented in the
exposition together with builders' tools, samples of mediaeval roof tiles,
window panes, etc.
The excavations of the
city uncovered materials supplying evidences that Cherson had workshops
producing colour and black metals, jewellery, bone carving, wood and glass wares, as well as pottery workshops including
those making glazed ware. The collection of the latter is the most striking and
catchy part of the exposition. It includes pottery made with techniques of
engraving, polychrome painting, and engobe painting. Ornamental motifs and
images of birds and monsters on glazed plates and jugs reflect complicated synthesis
of art tastes and traditions of many peoples populating the Byzantine
empire.
Among the most numerous
and different goods in the collection of Chersonesan preserve are he collection
of bone artefacts including tools, parts of weapons, ornaments, objects of
daily life. No doubts, the most impressive part of this collection is
represented by decorative plates with extremely expressive engraves and carved
images of birds and animals in a complicated turn.
The Chersonite's daily
life and his appearance could be imagined from the next sections of the display
including daily life objects, writing implements, games, medical tools, as well
as buckles, brooches, buttons, beads, bracelets, etc.
Advantageous geographical
location of the city supplied it with the role of large centre of transit trade
in the north Black Sea area. "Trade" section
shows some commodities imported from other regions of Byzantium and exchanged here for the products
of neighbouring barbarian tribes.
Trade connected the city
with Rus' from there they imported honey, wax and furs. Besides that, Cherson
was among the north Black Sea cities received
Russians escaping Mongol raids. This explains the large number of the so-called
Russian artefacts (underwear and reliquary crosses, spindle whorls of Ovruch
slate, cloth details, etc.) discovered by the excavations in the ancient city
of Cherson and
represented in the display of the mediaeval Department.
The army of Vladimir who besieged the
city left no material traces of its stay here. The only exception is the
so-called "burial of a Russian warrior" discovered in the necropolis of
Chersonesos and allegedly related to the siege of 988.
The collapse of the Byzantine
empire resulted in the destruction of network of trade routes
existed through many centuries, which related Cherson with other regions of Byzantine
world. It was reflected in the structure of Cherson import: main trade partners
of the city became the Eastern Crimea, Armenia, Middle
East, which goods are represented in one of the last sections of
the exposition.
Weakened, missing the main
source of its existence Cherson was finally destroyed by the raids of Mongols.
There was a great fire enveloping the city in result of khan Edigu's raid of
1399; it is described by the materials of the last section of the museum display
- charred beams, fired glazed ware, caked nails, etc.
The main exposition is
supplemented by illustrated exhibition "Mediaeval Cherson from the fifth to the
fifteenth century" in vestibules of the Department. Materials from the
excavations of Cherson are represented in drawings, graphic reconstructions,
drafts, photos and amplified with copies of Byzantine book miniatures to
resurrect the pictures of life of this Byzantine city.
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